DONNA BAILEY
EDUCATION
2012 PhD, LaTrobe University
2002 Master of Visual Arts (Research), La Trobe University
1998 Graduate Diploma of Arts, La Trobe University
1997 Bachelor of Arts, La Trobe University
SOLO EXHIBITIONS
2012 Childhood Belonging Phylis Palmer Gallery, La Trobe University, Bendigo
2011 Don’t play on the Mullock BendigoArt Gallery
2006 The Footballers La Trobe Art Institute,Bendigo
2005 Unconditional Monash Gallery of Art
2003 Just A Girl Centre for Contemporary Photography, Melbourne
2002 Zoë, her friends and me Phylis Palmer Gallery, La Trobe University, Bendigo
2002 Zoë Stills Gallery, Paddington
2001 Family Matters Phylis Palmer Gallery, La TrobeUniversity, Bendigo
GROUP EXHIBITIONS
2023 A picture's worth a thousand words; Esmond Gallery, Clunes Book Town Festival
2022 Biennale della Fotografia Femminile 2022 – Legacy; Mantova, Italy
2021 A Particular Being; Perth Centre for Photography and New England Regional Art Museum, Armidale
2020 A Family Album; Town Hall Gallery, Hawthorn
2019 Echoes; Art Gallery of Ballarat
2018 Artlands; View St, Bendigo [Paste up] and Ulumbarra Theatre Bendigo, [Projection]
2018 Women by Women: Lumina Collective; [Paste up] EY Centre, Sydney, Launceston Aquatic Centre, Melbourne Polytechnic,
Sun Studios, Sydney, Queensland College of Art, Bendigo Art Gallery
2017 Realizing Mother; Kudos Gallery, Paddington
2017 Lumina Launch; Black Eye Gallery, Darlinghurst and Sun Studios, Sydney
2016 Love… more than a four-letter word; Caboolture Regional Art Gallery
2015 Australia in Berlin; Australian Embassy, Berlin, Germany
2014 Frühlings Salon; Galerie Pavlova, Berlin, Germany
2013 Group Show; 10 x 8 Gallery, Surry Hills
2012 Terra Australis Incognita; Monash Gallery of Art, Bathurst Regional Gallery, Dubbo Arts Centre and Hawkesbury Regional Gallery
2011 Me Here Now: Place and Identity in Contemporary Australian Art; Ateneo Art Gallery, Manila, Philippines
2011 Terra Australis Incognita; La Trobe Art Institute, Bendigo, Victoria, Brisbane Powerhouse Arts Centre
2010 Terra Australis Incognita; Manly Art Gallery and Museum
2008 Embodied; La Trobe Art Institute, Bendigo
2007 Local; Alluvial Gallery, View St, Bendigo; Australian Rules: Around the grounds; Monash Gallery of Art
2006 Pet Project; Australian; Centre for Photography, Paddington
2006 Before the Body –Matter ; (MUMA), Monash University Museum of Art
2006 Light sensitive: ContemporaryPhotography from the Loti Smorgon Fund; The Ian Potter Centre, National Gallery of Victoria
2006 Changeling: Childhood and the Uncanny Carnegie Gallery, Hobart, La Trobe Regional Gallery, Morwell, and Gosford Regional Gallery
2006 In Cold Light; Centre for Contemporary Photography, Melbourne
2005 The 4th CCP/Leica Documentary Photography Award; Bundaberg Arts Centre, Harvey Bay Art Gallery, Mildura Arts Centre and Horsham Art Gallery
2004 Changeling:Childhood and the Uncanny; Australian Centre for Photography, Paddington
2004 The Line Between Us: The maternal relation in contemporary photography; (MUMA), Monash University Museum of Art
2004 Fertile Ground; Bendigo Art Gallery
2004 The Ideal and the Real; Bendigo Art Gallery
2004 The 4th CCP Leica Documentary Photography Award; Phototechnica, Sydney, Coffs Harbour City Art Gallery
2003 The 4th CCP Leica Documentary Photography Award; Centre for Contemporary Photography, Melbourne
2003 RE- Presenting the Real: Documentary Photography 2002; Stills Gallery, Paddington
2002 RE- Presenting the Real: Documentary Photography 2002; The Sir Hermann Black Gallery, Sydney University
2001 Last Turn on the Left; George Paton Gallery, Melbourne
2001 The 2nd CCP Leica Documentary Award and Exhibition; Swan Hill Regional Art Gallery, Exhibitions Gallery, Wangaratta and Gippsland Art Gallery
2000 Complicity; Australian Centre for Photography, Paddington
2000 The 2nd CCP Leica Documentary Award and Exhibition; Logan Art Gallery, Newcastle Regional Library, Noosa Regional Gallery
2000 Intimate Dialogues; Central Goldfields Regional Gallery, Maryborough, Victoria
1999 The 2nd CCP Leica Documentary Award and Exhibition; Centre for Contemporary Photography, Melbourne, Wagga Wagga Regional Art Gallery
1999 Works on Paper; Bendigo Art Gallery
1999 Maxwell Summer Salon; Centre for Contemporary Photography, Melbourne
COLLECTION EXHIBITIONS
2024 Shadow Creep: works from the collection, Bendigo Art Gallery
2023 Photography: Real and Imagined, Ian Potter Centre, NGV Australia, Fed Square
2023 Home Ground, Swan Hill Regional Art Gallery
2022 Beating About the Bush, Art Gallery of Ballarat
2022 Psychic Terrain, Bendigo Art Gallery
2020 The Becoming, Bendigo Art Gallery
2018 Legacy: Your collection. Our story, Monash Gallery of Art
2017 Collective Vision: 130 years, Bendigo Art Gallery
2016 History of the National Photography Prize, (MAMA), Murray Art Museum Albury
2015 Highlights from the MGA Collection, Monash Gallery of Art
2015 ExpressYourself: Romance Was Born for Kids, National Gallery ofVictoria
2015 Selected works from the F.M. Courtis Collection, Phyllis PalmerGallery, La Trobe University, Bendigo
2013 Exhibit B, La Trobe Art Institute, Bendigo
2012 Philanthropy:The Art of Giving, Bendigo Art Gallery
2012 Self-conscious:Contemporary Portraiture, (MUMA) Monash University Museum of Art
2010 Australian Rules: Around the grounds, Whitehorse Art Space, Melbourne, Peppin Heritage Centre, Deniliquin, and Wangaratta Exhibitions Gallery
2009 The History of the National Photography Prize, (MAMA), Murray Art Museum Albury
2009 AustralianRules: Around the Grounds, Rose de Freycinet Gallery, Shark Bay World Heritage Discovery Centre, and Central Goldfields Gallery, Maryborough, Victoria
2009 2000+Contemporary works from Bendigo Art Gallery, La Trobe Gallery, Morwell and Benalla Art Gallery
2009 The Edge of Reason: Australian women photographers, BendigoArt Gallery
2009 Botanical Residues, La TrobeArt Institute, Bendigo
2008 Landmarks and Milestones: The Fiftieth Anniversary of the F.M Courtis Collection, Bendigo Art Gallery
2008 Holding On: Letting Go, Monash Gallery of Art
2008 Proof of Age: Youth Culture and Identity, (MAMA), Murray Art Museum Albury
2008 Australian Rules: Around the Grounds, City Museum, Melbourne and Mildura Arts Centre
2008 Recent Acquisitions, (MUMA), Monash University Museum of Art Collection,
2007 Recent Acquisitions, (MUMA), Monash University Museum of Art Collection
2006 Decade Acquisitions, Bendigo Art Gallery
2006 The Female Nude, Monash Gallery of Art, Warrnambool Art Gallery, Geelong Art Gallery and Broken Hill Gallery
2005 The FemaleNude, Monash Gallery of Art, La Trobe Regional Gallery and Ararat Gallery
2004 RecentAcquisitions, Monash Gallery of Art
2004 The Female Nude, Monash Gallery of Art
COLLECTIONS
(MAMA) Murray Art Museum Albury
Bendigo Art Gallery
Bendigo Bank
F.M Courtis Collection, La Trobe University
Genazzano F.C.J College
Monash Gallery of Art
Monash University Museum of Art
National Gallery of Victoria
University of Adelaide
City of Greater Bendigo
Private collections
AWARDS, COMMISSIONS, GRANTS, NOMINATIONS
2019 Nominee; 8th Prix de Pictet; Hope
2017 Finalist; The Olive Cotton Award, Tweed River ArtGallery
2011 Finalist; Josephine Ulrick & Win SchubertPhotography Award,Gold Coast City Gallery
2009 Recipient; Arts Development (Creation) Grant, Arts Victoria
2009 Finalist; William & Winifred Bowness PhotographyPrize, Monash Gallery of Art
2007 Finalist; City of Hobart Art Prize, TMAG, Tasmania
2007 Finalist; William & Winifred Bowness PhotographyPrize 2007,Monash Gallery of Art
2006 Finalist and AwardRecipient; Adelaide University Visual Art Prize, The AdelaideUniversity
2006 Recipient; Quick Response Grant, Regional ArtsVictoria
2006 Recipient; Alumni Scholarship, La Trobe University
2006 Finalist; Works on Paper, Bendigo Art Gallery
2005 Award; WJC Banks Award, La Trobe University
2005 Recipient; Visual and Craft Artist’s Grant, NAVA
2005 Finalist;The Olive Cotton Award, Tweed River ArtGallery
2005 Finalist; The Citigroup Private Bank Prize, New South Wales ArtGallery
2005 Finalist; The Josephine Ulrick & Winn SchubertPhotography Award,Gold Coast Art Gallery
2004 Finalist; The Energex Arbour Contemporary Art Prize, Energex Arbour,Brisbane
2004 Finalist; The 4th CCP Leica DocumentaryAward and Exhibition, Centre for Contemporary Photography, Melbourne
2004 Finalist; The Warrnambool Art Gallery Award, Warrnambool ArtGallery
2004 Finalist; Josephine Ulrick & Win SchubertPhotography Award,Gold Coast Art Gallery
2003 Recipient; Australian Post Graduate Award
2003 Award; National Photographic Purchase Award, Albury Art Gallery
2003 Finalist; Hutchins Art Prize, The Long Gallery,Hobart
2003 Finalist;The Josephine Ulrick National PhotographyPortrait Prize,Tweed River Art Gallery
2001 Award; Works on Paper, Bendigo Art Gallery
2001 Finalist; The Josephine Ulrick National PhotographyPrize,Tweed River Art Gallery
2001 Finalist; Nikon Summer Salon, Centre forContemporary Photography, Melbourne
1999 Finalist; The 2nd CCP Leica DocumentaryAward and Exhibition,Centre for Contemporary Photography, Melbourne
1997 Award; Works on Paper, Bendigo Art Gallery
SELECTED BIBLIOGRAPHY
BOOKS
Ennis, H, Photography and Australia, Reaktion Books, 2007, p. 104
Marr, D, McFarlane, K and Sewell; Oculi; Hardie Grant Books, 2010
Marsh, Anne, Doing Feminism: Women’s Art andFeminist Criticism in Australia 1968-2018, The Miegunyah Press, 2021.
Marsh, Anne; Look: Australian Photography and Photographers, Palgrave, Macmillan Australia, 2010, p.127
McCulloch, Susan; TheNew McCulloch's Encyclopedia of Australian Art, The Meigunyah Press and Aus. Art Editions, 2006
Murray, P, Loti Smorgon, A Life with Art, National Gallery of Victoria, pp. 75, 77, 118
Oculi: Home, 2013, (self-published), p. 17, 51, 80, 90, 92, 97, 101,106
Palmer, Daniel; (ed) Photogenic:Essays/Photography/CCP 2000-2004, CCP & Ellikon Press, 2005, pp 60,61
View Finding: Monash Gallery of Art, 1990-2020, 2020, p.121
EXHIBITION CATALOGUES AND CATALOGUE ESSAYS
NGV, Photography: Real and Imagined, 2023
Biennale Della Fotografia Femminile; Legacy, 2022
Kier-Smith, Rachel, Memory Remains: the tapestry of family narratives across time and place; A Family AlbumCatalogue, Town Hall Gallery, Hawthorn, 2020
Grace, Helen, Purlija, Z; Realising Mother: Investigating Contemporary MaternalRealities Through Photomedia, 2017
Alessi, Vincent, Who we are, right here, right now, in, Me Here Now: Identityand Place in Contemporary Australian Art, Melbourne, 2011
Barlow, Geraldine; Before the Body-Matter, Monash University Museum of Art,Melbourne, 2006
Clabburn, Anna; The Female Nude, Monash Gallery of Art, Melbourne, 2004
Collett, Penny; Landmarks and Milestones: The Fiftieth Anniversary of the F M CourtisCollection, Bendigo Art Gallery, Victoria, 2008
Crombie, Isobel; Here and now: Contemporary Photography in Australia, LightSensitive: Contemporary Australian Photography from the Loti Smorgon Fund,National Gallery of Victoria, 2006
Day, Charlotte; The Ideal and the Real, Bendigo Art Gallery, 2004
Edwards, Sandy; Re Presenting the Real: Documentary Photography 2000, StillsGallery, Sydney, 2002
Foster, Alasdair; Changeling: Childhoodand the Uncanny, Australian Centre for Photography, Sydney, 2005
Foster, Alasdair; Posing Truths, Complicity, Australian Centre for Photography, Sydney, 2000
Gillett, Sue; Unconditional: Seasons of Childhood, Monash Gallery of Art, Melbourne, 2005
Keys,Melissa; In Cold Light, Centre for Contemporary Photography, Melbourne, 2006
Marr, David; Eye of the beholder, In Marr, D; Oculi, 2010
McFarlane, Kyla; The Footballers, April, 2006
McFarlane, Kyla; The Line Between Us: The maternal relation in contemporary photography,Monash University Museum of Art, Melbourne, 2004
McFarlane, Kyla; in, Marr, D; Oculi, 2010, pp viii-ix
McLennan, Brett; Just A Girl, Centre for Contemporary Photography, Melbourne, 2003
Milne, Peter; Vex is better, The CCP Leica Documentary Exhibition and AwardCatalogue, Centre for Contemporary Photography, Melbourne, 1999
Papastergiadis, Nikos; The Space for Reflection, CCP Leica Documentary Award, Centre forContemporary Photography, Melbourne, 2003
Sewell, Dean; in, Marr, D; Oculi, 2010, ppvi- vii
Williamson, Claire; Difficult Child, The CCP Leica Documentary Exhibition and AwardCatalogue, Centre for Contemporary Photography, Melbourne, 1999
Zagala, Stephen; Australian Rules: Around the grounds, Monash Gallery of Art, Melbourne, 2007
REVIEW
Aldred, Deborah; ‘Six pics in the running’,Courier Mail, September 25, 2004
Anderson, John; ‘Almost Home: The Collective Oculi’, Online, 2007 http://sparkofaccident blogspotcom/2007/04/almost-home-collective-oculi html
Backhouse, Megan; ‘Unconditional Realism’,The Age, Around the Galleries, October 22, 2005
Baxter, Virginia; ‘Everyday Miracles’, Real Time, Online, April 2000, http www realtimearts net/rt48/vb_stills html
Baxter, Virginia; ‘Complicity’, Real Time, Online, February 2000
Boyd, Chris; ‘Mapping mother-daughter terrain’, Australian Financial Review,September 18, 2004
Campbell, Melissa; ‘Mother Country’, The Big Issue, No 240, 2005
Crawford, Ashley; ‘Before the Body-Matter’, Art in Australia, Vol 44, no 4, Winter, 2007,p. 617
Dundas, Greg; ‘Artist pipped at the post’, Bendigo Advertiser, October 5, 2004
Dwyer, Tessa; ‘The Line Between Us: The maternal relation in contemporary photography’,Photofile #73, Summer, 2005, pp. 69 -71
Edwards, Sandy; ‘Picture this’, Broadsheet,Contemporary Visual Arts and Culture, Vol 29, No 2, Winter 2000
Edwards, Sandy; Photofile, ‘Voiceprints’, Issue #58, The Documentary, 1999
Fitzgerald; Michael; ‘Dark Reflections’, Time Australia, January 22, 2007, p. 50
Frost,Andrew; (on Changeling) ‘The Art Life’, http://artlife blogspot com/2004_12_01_archivehtml December 9, 2004
Hill, Peter; ‘Sticks and Bones’, SydneyMorning Herald, December 11, 2004
James,Bruce; Radio National, ‘The 2003 Leica CCP Documentary Award’, Online, http://wwwtheage com au/media/2003/06/09/1055010920610 html See also, ‘RealPhotographs Tell Stories’, The Age, 10,June 2003
Marr, David; ‘Eye of the Beholder’, Sydney Morning Herald, Spectrum, April 17-18, 2010, p. 10.
McFarlane, Kyla; ‘In Mother Country, Camera at Hand’, The Age, June 5, 2004
McFarlane, Robert; ‘Manufactured Reality’, Sydney Morning Herald, January 3, 2007
McFarlane, Robert; ‘Cool images from below and above’, The Sydney Morning Herald, November30, 2004
McFarlane, Robert; ‘Images of humanity in a changing eye’, The Sydney Morning Herald, February 26, 2003
McFarlane, Robert; ‘The identity parade that doesn’t click’, The Sydney Morning Herald,February 2002
McFarlane, Robert; ‘Images for the head, not the heart’, The Sydney Morning Herald, August 5, 2002
Miles, Melissa; ‘The Line Between Us: The maternal relation in contemporary photography’, Eyeline Contemporary Visual Arts, #56, March 2005, pp 50-51
Nelson, Robert; ‘Rural Stories’, The Age, Sightlines, October 14, 2005
Nelson, Robert; ‘Sight caught in grainy hues and icy detail’, The Age, April 6, 2006
Nelson, Robert; ‘Lives snapped and laid bare’, The Age, August 4, 1999
Rule, Dan; ‘In the Galleries’, The Age, January 15, 2011, Arts and entertainment, p.5
Smee, Sebastian; ‘A cool spot when the heat is on’, The Australian, October 28,2006
Spencer, Megan; ‘Over the road, across the bridge’, Bendigo Weekly, December 10, 2011,p.5
Spencer, Megan; ‘The Hungry Eye’, Bendigo Weekly, January 14, 2011, p.7
Spencer, Megan, ‘Locked and loaded’, Bendigo Weekly, 26th August 2011.
Strickland, Katrina; ‘Raw images via a maternal lens’, The Australian, September 30,2004
Unknown; If You Do One Thing, ‘Rural Retrospective’, The Age, October 3, 2005
Unknown; Not Only Black + White, ‘Mixed media: Where the art is’, Issue 47, November2000
Webb, Penny; ‘Hang it; position matters’, The Age, February 10, 2007
Westphale, Kerstin; ‘The Line Between Us’, Kunststoff, Issue 1/05, Germany
SELECTED INTERNATIONAL PUBLICATIONS
VogueItalia: 7 June 2017
Fisheye, France, 2018: [interview by Lou Tsatsis]
https://www.fisheyemagazine.fr/en/scheduled/portfolios/donna-bailey-maternal-instinct/
Le Monde, Paris,
Case da Abitare, Italy,
Gente Di Fotografia, Italy,